painting on plexiglass
first the underground is to be mentioned, it is no longer only underground, it substantiel, is transparency and with was always away from wound presented.
then the color comes into the play of industrieller origin, used in chromatically limited was entitled and variant wealth, looks for it without plastic effectiveness by quasi mechanical fills the surface with the spray can.
white marks remain breathing as empty surfaces to.
tissue paper is presented on the color surfaces. I use most diverse prefabricated colours as surfaces and the delicate nebula effect because of. The color surfaces are finally from few average, which rise from my picturalem memory, manufactured neither a transit zone nor one in the light of the color widening surface arises oneself.
keeps in track, in the first instant is noticeable forms one point of reference for the eye of the viewer and causes most different assosiationen. I lay it on also from the brush of running down color. They are both color as also human trace neither recordably nor illusionistisch. the trace create an area in the colored field. I regard it as a graphic expression of my human consciousness. In our current world, led of differing indications this trace a timeless antenna manufactures of commercial marks, advertisement and classifying symbols to the universal worth.
I oscillate to low-cut surfaces between classical form (square/rectangle) and back and forth. I search in the collective errinnerung, where I graphic form makes with more strongly more emblematischer select, their analysis am presently/immediately possible and their universal lekture most diverse cultural as well as social origins bridges. Already production I make these for indications in personlicher arrangement too own around it identically in most diverse sizes to reproduce itself. so low-cut, I use her because of their graphic quality around area to arrange. They are released from their original sense giving. They affect us directly, there we the outlines already know the painting win in such a way at attractiveness. It schmiegt itself without large problems into the world us surrounds: fast and simply, strongly light through-floods, taking like a video picture screen, a leuchtreklame or handy.
a humanly coined/shaped indication becomes form and underground of coloured indications.
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valverde, christian
◊ N° 106/2005
100 x 100 cm
industrielack auf
plexiglas, 2005
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valverde, christian
◊ N° 152/2005
34,5 x 34,5 cm
industrielack auf
plexiglas, 2005
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valverde, christian
◊ N° 153/2005
48 x 48 cm
industrielack auf
plexiglas, 2005
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valverde, christian
◊ N° 115/2005
50 x 50 cm
industrielack auf
plexiglas, 2005
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valverde, christian
◊ N° 117/2005
150 x 150 cm
industrielack auf
plexiglas, 2005
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valverde, christian
◊ N° 106/2005,
2005
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valverde, christian
◊ n° 43/2005,
2005
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valverde, christian
◊ n° 68/2005,
2005
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valverde, christian
◊ n° 65/2005,
2005
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valverde, christian
◊ 64/2005,
2005
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valverde, christian
◊ 52/2005,
2005
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valverde, christian
◊ 1005/2005,
2005
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valverde, christian
◊ 92/2005,
2005
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valverde, christian
◊ o.t. - s.t.
/2003, 2003
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valverde christian -
n° 69/2005, 2005
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valverde christian -
n°76/2005, 2005
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valverde christian -
n°64/2005, 2005
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Valverde Christian -
N°11/2004, 2004
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Valverde Christian -
N° 35/2005, 2005
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Valverde Christian -
N° 89/2005, 2005
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1980 intervention urbaines, ville de valence
1981 intervention urbaines, ville de valence
1982 centre culturel bollène
interurption jusqu'en 1998
2001 salon d'art contemporain art jonction - nice
arté'nîmes – nîmes
2002 galerie martagon – malaucène
galerie marlyse calame – vence
château de portes – portes
espace benezet – avignon
espâce d'art ripert – bollène
2004 galerie chrämai – anduze
galerie chraemai - durfort
st'art – strasbourg
art innsbruck – autriche
2005 galerie martagon, grand rue – malaucène
galerie chrämai - hamburg
art bodensee - dornbirn - autriche
st'art - strasburg - 9edition one man show
art fair köln - one man show
arté'nim - nimes france
st'art - strasburg - 10edition
Biography●Exhibition●Bibliography●Art objects |
