Whitney Museum of American Art, New York, “Into the Light: The
Projected Image in American Art 1964 – 1977,” 2001 – 2. Traveled to: The Cleveland Museum, 2002; Fundacão Centro Cultural de Belém, Lisbon, Portugal, 2004-5.
Museum Moderner Kunst, Vienna (MUMOK), “X-Screen: The Expanded Screen:
Actions and Installations of the Sixties and Seventies,” 2003 – 4
Tate Modern, London, “Shoot Shoot Shoot: The First Decade of the London Film-Makers’ Cooperative & British Avant-Garde Film 1966 – 76,” 2002
51st Melbourne International Film Festival, Australia, 2002
Galerie für Zeitgenössische Kunst, Leipzig, “Palomino,” 2001
Whitney Museum of American Art, New York, Part II, 1950 – 2000 of “The American Century: Art & Culture 1900 – 2000,” 2000
Centre Georges Pompidou, Paris, “L’Art et la Vie 1952 – 1994,” 1995
Public Collections
Museum of Modern Art, New York
Musée National d’Art Moderne, Centre Georges Pompidou, Paris
Michelon, Olivier. “Anthony McCall: Elements for a Retrospective 1972-1979 / 2003 –“ Musée de Rochechouart and Monografik Editions, Paris, 2007.
Ergino, Nathalie, ed. “Anthony McCall: Institut d’Art Contemporain Villeurbanne” (exhibition catalog). Texts by Nathalie Ergino, Philippe-Alain Michaud. Semaine / Revue Hebdomadaire pour l’Art Contemporain, 48.06 No 114, Arles, 2006.
Joseph, Branden W; Walley, Jonathan; Eamon, Christopher (ed). “Anthony McCall: The Solid Light Films and Related Works”. Evanston, Illinois: Northwestern University Press & New Art Trust; Göttingen, Germany: Steidl, 2005.
Legg, Helen, ed. “Anthony McCall: Film Installations” (exhibition catalog). Mead Gallery, The University of Warwick, UK, 2004. Essays by George Baker, Lisa Le Feuvre, Anthony McCall, 2004.
Books and catalogs
Altstatt, Rosanne; Sausmikat, Ralf. Turbulent Screen: The Structural Movement in Film and Video (exhibition catalog). Oldenburg: Edith-Russe-Haus für Medienkunst / Revolver, 2003.
Bouhours, Jean-Michel, ed. “Anthony McCall.” In L’Art of Mouvement: Collection Cinématographique du Musée National d’Art Moderne, 1919 – 1996. Paris: Centre Georges Pompidou, 1996, pp. 262 – 63.
Dusinberre, Deke. The Festival of Expanded Cinema (exhibition catalog). London: Institute of Contemporary Arts, 1976.
Hanhardt, John. “The Medium Viewed.” In A History of the American Avant-Garde Cinema (exhibition catalog). New York: American Federation of Arts, 1976.
Iles, Chrissie. Into the Light: The Projected Image in American Art 1964 – 1977 (exhibition catalog). New York: Whitney Museum of American Art / Harry Abrams, 2001.
Iles, Chrissie; Momin, Shamim M.; Singer, Debra. Whitney Biennial 2004 (exhibition catalog). New York: Whitney Museum of American Art / Harry Abrams / Steidl, 2004.
MacDonald, Scott. A Critical Cinema II (interview). Berkeley:
University of California Press, 1992, pp. 157 – 74.
McCall, Anthony, and Andrew Tyndall, eds. Argument. New York: Jay Street Film Project, 1979. New edition by Lux, London, 2006.
Michalka, Matthias, ed. X-Screen: Film Installations and Actions in the
1960’s and 1970’s (exhibition catalog). Vienna: Museum Moderner Kunst Stiftung Ludwig Wien, 2003.
Michaud, Philippe-Alain. Sketches: Histoire de l’art, cinema. Paris: Kargo & L’Éclat, 2006. “LimeLight: Le Cinéma Géométrique de Anthony McCall,” pp 135 – 154.
Schor, Gabrielle, ed. Held Together with Water: Art from the Sammlung Verbund exhibition catalog). 396 pp. Hatje Cantz.
Schuenmann, Dietrich, ed. Avant-Garde Critical Studies. Amsterdam: Editions Rodopi, 2005. “The Paracinema of Anthony McCall and Tony Conrad” by Jonathan Walley.
Sitney, P. Adams, ed. The Avant-Garde Film: A Reader of Theory and Criticism. New York: New York University Press, 1978, pp. 250 – 54.
Articles and reviews
Azoury, Philippe, and Élisabeth Lebovici. “McCall, L’âmelight.” Liberation, October 1, 2004, pp 31-32.
MacDonald, Scott. “The Cinema Audience: Some New Perspectives.” Film Criticism 3 (Spring 1979), pp. 32 – 40.
McCall, Anthony. “Line Describing a Cone and Related Films.” October 103 (Winter 2003), pp. 42 – 62.
---------. “Anthony McCall Talks About His Solid Light Films.” Artforum, Summer 2004, XLII, No 10, pp 218-219.
McCall, Anthony, and Andrew Tyndall. “Nostalgia: A Film by Hollis
Frampton.” Unpublished manuscript (1978), 14 pp.
——— . “Sixteen Working Statements.” Millennium Film Journal 1 (Spring – Summer 1978), pp. 29 – 37.
Michaud, Philippe-Alain. “Line Light: Le Cinéma Géométrique de Anthony McCall.” Les Cahiers du Musée Nationale d’Art Moderne 85 (automne 2003), pp. 78 – 89.
Michaud, Philippe-Alain. “The Movement of Images” (Ausstellungskatalog). Centre Pompidou (2006).
Michelson, Annette, and P. Adams Sitney. “A Conversation on Knokke and the Independent Filmmaker.” Artforum 13 (May 1976), pp. 63 – 66.
Princenthal, Nancy. “Illuminations for a Dark Place.” Art in America (March 2002), pp. 96 – 101.
Rayns, Tony. “Exprmntl 5: Line Describing an Impasse.” Sight and Sound International Film Quarterly 44 (Spring 1975), pp. 78 – 80.
Rich, B. Ruby. “Light for Light’s Sake.” Chicago Reader 7 (January 1978).
Roundtable, with George Baker, Mathew Buckingham, Hal Foster, Chrissie Iles, Anthony McCall, and Malcolm Turvey. “The Projected Image in Contemporary Art.” October 104 (Spring 2003), pp. 71 – 96.
Schwabsky, Barry. “Anthony McCall: Peer / Peer at the Round Chapel.” Artforum XLIV, no 10 (Summer 2006), pp 370-371.
Snibbe, Scott. “Body, Screen and Shadow.” San Francisco Media Arts Council (SMAC) Journal, January 2003.
Viveros-Fauné, Christian. “Into the Light.” New York Press, January 16 – 22, 2002, p. 27.
Walley, Jonathan. “The Material of Film and the Idea of Cinema.” October 103 (Winter 2003), pp. 15 – 30.
Walley, Jonathan. “An Interview with Anthony McCall.” The Velvet Light Trap, Number 54, Fall 2004.
Weinstock, Jane. “The Subject of Argument.” Downtown Review 1 (1979),
pp. 6 – 8.
Yue, Genevieve. “The Last Picture Show: Film and Video Installation in the Late ’60’s and Early ’70’s.” Senses of Cinema (online film journal), issue 28 (September – October 2003), www.sensesofcinema.com.
